Well, now we get to my opinions and thoughts on the ms-8. The below is my experience and thoughts. You may feel differently.
First off, let me say what my system is. I'm running 3-way up front with no center or rear fill. Therefore, my review doesn't even cover the really cool stuff the ms-8 does.
Headunit: Pioneer AVIC-Z110BT
Tweeters: Hertz ML 280 signature on dash
Midrange: Scan Speak 12m on dash
Midbass: Scan Speak 18w in kicks
Subs: Acoustic Elegance IB15
Tweeter/Midrange Amp: JL Audio HD600/4
Midbass Amp: JL Audio HD600/4 bridged
Sub Amp: JL Audio HD750/1
Install Complexity:
If you've ever installed an amp, then you can install this. It's a cake walk. Power, ground, remote, RCAs. This unit also has a display and mic cable; no more complexity, though. Overall, I'd say a beginner can easily install this, given you are capable of installing an amplifier (ie: running wires in your car).
Also, for anyone wondering, the binaural mic headphone cable is nearly 20' long. In the picture below you can see it in the floor at the front of my car with plenty of slack left in the line running from the trunk outside my car.
The display cable is about the same length. I've ran it from the trunk up through my dash and into the center console of my car so I can hide the screen in the console pocket below my headunit.
The remote is awesome! LOL.
Ergonomic, it is (/yoda). Getting around the options, etc on the screen via the remote is very intuitive and extremely easy. However, I've noticed some minor lag, but nothing major at all... barely worth noting (seriously) but for full disclosure, I'm noting it. I associated it with RF (as I assume it's not IR) lag. I get that inside my house with my TV remote, lol.
On the plus side, you can pretty much point it anywhere and it works. +1. I love remotes.
Regarding the display:
You don't have to keep it out all the time if you don't want to. You only have to have it if you want to use it to control volume instead of your headunit, or change settings, etc. If you want to ‘set it and forget it’, then you can put the display away and use your headunit's volume control.
MS-8 Setup Opinions:
Setup is
unbelievably easy.
In fact, here are some videos I made. The first and second are from the same video but I split it up into two parts. These will walk you through the overall system setup from driver/channel selection, crossover selection, and auto-tuning process. The 3rd video focuses on how the ms-8 autotunes a seat position in under one minute!
**Note: In the acoustic calibration setup, the ms-8 actually generates sound from each front speaker a pair at a time. Then parts 2-4 play the left side, right side, sub. You can't tell that left/right is playing separately because my camera mic is mono.

Part 1:
Part 2:
*give this one some time... it's a 13 minute video and I have to split it into two parts.
I did the input setup to find a good headunit volume to set things up at, which wound up being around 32 out of 40 on my pioneer z110bt and set the ms-8 output volume to 35, iirc.. Within 5 minutes I had already ran driver setup, and acoustic calibration for both front seats. The on screen directions make it kindergarten easy. Additonally, volume is not a problem. I re-ran setup with the headunit volume a bit lower, and with the ms-8 volume set at about 25. Plenty of volume and no audible distortion, at least that I can hear.
When the setup tells you to look at x mirror, do it. I tried toying around with this and the further away I looked out (past the mirror), the more the center was skewed. If you look exactly at the mirror, as told, you get a DEAD center phantom.
Andy was talking a mean game about this whole subwoofer integration thing. I honestly thought the man was full of it (no offense, Andy). He speaks the truth. The initial setting leaves some to be desired for me, so I up'd the bass output. It NEVER pulls to the rear. Not even at full friggin tilt. Sub/midbass crossover is at 80hz, 24dB/oct. I'll try 60hz later for fun. But I like 80hz for the safety of my drivers...
Speaking of which, everything sounds great. Rap, rock, jazz, whatever. So far everything sounds very nice. I've only bumped the 'bass' up about 3 notches. Still solid impact.
MS-8 Auto Tune Capability:
So, now, my subjective opinions on the MS-8's auto tune vs my own tuning abilities that I spent 6 months on with the bitone.
- Stage depth is a little bit better, but not a whole lot.
- Stage layering (front to back instruments/singers) is better by far than it ever was. It is very evident when a musician is behind another or back and to the side. My previous tune didn't do this too well. There was a lot of blending. Now there is clear separation.
- Stage width is at least as good as I was able to get on my own. On a few tracks, I noticed it was clearly wider.
- Finally, to you guys who like to drive looking at the car next to you: you can turn your head a full 180* and the stage stays put. There's NOTHING I've ever heard that would do this.
Alright, my music collection varies and I use a lot of stuff to demo systems (not very traditional stuff either, but so be it). Here are my thoughts on the ms-8 5 minute auto-tune vs. my own bitone manual tune which took a few months to get to where I was really happy:
- Rage Against the Machine "Take the Power Back":
Kick drum echo! woohoo, baby! It's there! Do you know how LONG it took me to get ambience of that kick with my own tune? Seriously! wtf!
Bass guitar/kick: Very easily identifiable as separate. This is tough to do. A lot in the midbass/subbass has to be right to get this separation because both are centered right up front. If the system you're listening to isn't set up well, you'll get the two instruments confused (ie: why does that bass guitar have so much punch?!
)
- Dire Straits "Walk of Life":
The beginning of this track has cymbal taps that have different tonality. I've worked really hard (and listened to some higher end gear in a local recording engineer's house) to make sure this is right. The ms-8 does it perfectly ... or as perfect as I can tell. The taps walk about 2-3" apart, as I believe they should, and have a distinct tonality. I've rarely been able to tell this and I listen hard for it in other systems.
- Norah Jones "Chasing Pirates":
At the beginning of this track there are (what I call) the sound of bubbles... yea, horrible description, I know.
Anyway, typically this is very faint and, in my car, they sound to be coming to the left of the stage. With the ms-8 they're closer to me but yet still further outside of the car. I was left
as to how it got this, but hey... I'll take it.
- Eric Clapton "Layla (Unplugged)":
Pretty well known song, I believe. The guitar at the beginning has a lot of picking going on. I could hear detail in the picks that I hadn't heard before such as: resonance of the strings themselves - hope this makes sense, because resonance in the strings is how we get the sound, but I'm talking about abruptly stopped strings - and they have more body to them. Never noticed that with my other tune.
- P.O.D "The Messenjah":
This song has a lot of stuff going on it. Not a reference track, by any means, but one I really love.
Sonny's voice shines clear through and you can almost feel the passion when he's screaming through the chorus. The music breaks down a lot in this song and everytime it does, the system does an excellent job of keeping up (transients). I've been listening to this song on HEAVY rotation the past week and hadn't noticed it before. Not saying the ms-8 is doing it, but it's something I've never noticed before.
- Peter Gabriel "Sledgehammer":
About 22 seconds into the song, right as the flute (presumably) stops and right before the music really kicks in, there's a bit of silence. In this bit of silence, I've never heard anything. But, now I can hear the song's intro right before it really starts. Sounds crazy, I know. I've listened to this song about a million times... or so... and I've NEVER heard this before. Ever. Scary!
- Natalie Merchant has never sounded so wonderful. The stand up bass in "Carnival" is the best I've ever heard it.
- Last but not least... the thing that made me literally say 'WTF' to myself as I was listening..
Alison Krauss & Union Station "Man of Constant Sorrow (Live DVD Version)"
I know this performance well as it's a favorite song of mine, so I've heard it on many different systems. Having said that, I've always heard the singer as being centered and singing outward. Alright...
About 15 seconds into the song I thought I heard his voice shift as if it was facing the right side of the stage. He says "I bid farewell to ol' Kentucky" and I SWEAR I thought he was singing to my passenger. I couldn't believe it... I came inside to check the DVD and sure enough... he's facing the right side of the stage (his left). I about crapped a brick. I heard his voice shift around as he was moving his head. I've NEVER heard that before. I'm sold.
Other Random Info:
System Noise:
None. Although, I had very little with the bitone. I did have some noise floor. I can't hear anything of the sort now with the ms-8. Maybe it's magic? Who knows. I do know that I can get to the same volume (actually, a bit higher now) as I could with the bitone when it's outputs were max'd so that tells me that something in this stream has a higher output and even with that, I have no system noise (crossing fingers for when I turn the alt on... in the garage, can't check tonight).
2-Seat and Passenger Experience:
When you switch the seating position over the the passenger's seat the effect is the same as if you were sitting in the driver's seat: excellent imaging, staging, tonality, etc, etc... basically nothing changes from the viewpoint of the listener. When you switch the seating position to 'front', it gives the best overall sound to both seats. This means staging and imaging drop off, but the overall system sound is still very nice, as one would expect. I couldn't imagine how long it would take to get these extra two benefits if you had to do it all manually.
Final Opinion and random thoughts:
If you love car audio but really hate tuning or just don't know how, then this processor is for you. The MS-8 does in 5 minutes what would take me a couple months of hard work to do. Then throw in the added benefits of great sound at different seats and I've just added many more months onto my manual tune.
The things that this DSP can do in 5 minutes is literally mind boggling. I was flat out amazed at the end result. I couldn't beleive the accuracy of it all. I've heard the alpine auto-setup in 2 cars and neither of them did a good job of staging. The overall 'sound' of the cars was OK but left much to be desired.
To anyone with money burning a hole in their pocket, or just in the market for a great DSP for their car, I say this is your baby. I'll be happy to demo it for anyone who wants. Just hit me up via PM or e-mail and we'll figure something out. I promise, you won't be let down. Hearing is believing. At this point, I can't imagine how there could be something to top this. And I haven't even SCRAPED the surface regarding center channel and rear fill.
Having said that, there's no reason why anyone who really loves to tinker shouldn't purchase this. I love tech things and learning how things work. In fact, it's the major contributor to why I change gear so often. It's not that I'm disatisfied with my system, or expect to be able to do better with certain gear (not always the case). It's mainly just that I want to toy around with something new, play, and
learn (thus my quote).
I don't do well sitting on the sidelines. I don't like taking people's 'word for it', though that's not to say I don't appreciate reviews and factor in those opinions on some purchases.
I don't do this stuff to be an 'internet hero' as I've been called. I do this to learn and to contribute what I learn. I work with many people who can read a book or instruction manual and know exactly how something works by doing that alone; I don't do that. I've tried. I get distracted and start thinking about cookies and milk, or how I need to cut my toenails... whatever. I have to get hands on to learn something. I buy new gear to learn and sometimes put my own thoughts out there hoping others can get something useful from it.
However, in this case, my skepticism is what lead me to desire the ms-8. I didn't want to take someone's word for it (no offense, guys). I didn't think it could do what I did and no way could it be better. I was wrong. But don't think that I won't stop fiddling with things. I've already got plans for future listening.
The great thing about the ms-8 is that it allows you to try these kind of things on your own VERY quickly due to it's ability to auto-tune in less than 1 minute for a single seat position and it'll keep the user applied curve if you choose to do any after-EQ. So, you can compare 'oranges to apples' with apples only. Wait... does that make sense?

What I'm getting to is this: I'm realizing that the odds of everyone's car sounding 'the same' is hardly realistic. User 'error' will dictate results just as much as vehicle acoustics. However, there's surely a line where all cars exhibit the same
type of response if they do the auto-tune and leave it alone. I'm willing to bet that all the cars would have the same type of sound (ie: laid back) although they'll achieve it differently and there'll be different details/nuances to each. This is only a guess.
Now, at the risk of having an ego (which, anyone who knows me knows that I do not), I have to say that I was very, very happy with my system with the bitone. I thought the tune was great. In this regard, I was a bit prideful, meaning that I wanted to do all the tuning work myself. Therefore, I did. My buddy Andrew helped me tune it last October for about 2 hours after I got the install set up the way I wanted to, finally. After that, I've only had people give feedback. No one else has manned the controls. Why? Because I wanted to do it myself so I'd know what to listen for and how to correct it the best I knew how. This has helped me immensely. In fact, this is my only real 'concern' about the ms-8 and future renditions being the new 'it' factor. I'm a bit worried (how condescending of me) that people will not really know what to listen for if they're not learning what exactly a certain change to X does. IE: You can hear phase 'click' into place when using t/a, but this is only for certain bands of response. When you don't do this yourself, you don't have the knowledge of what to listen for. Of course, it's great for those who don't care, but for folks like me who have gained a better ear because they tuned their own car manually, I feel that the ms-8 could serve as a disadvantage. It's a huge leap and likely not a big concern, but as I said... I have my reasons. *and this is NOT to say I have golden ears... it is to say that I've learned what to listen for because I had to*
I felt I was about 90-95% 'there' overall with my system. The only issue I had lingering was the midbass/subbass which I would have fixed because it was an install problem (thus my new IB wall this weekend). This should only go further to show just how good the ms-8 is. And with the EQ features, one should easily be able to tune their system to their liking. The way the ms-8 handles phase relationships is, IMO, going to be the wave of the future. It's not about EQ. It's about phase. I may be the only person who believes this, but given what I've learned the past year, I'd put my money on a processor that has the ability to adjust phase correctly. I honestly don't think a human can do it better in a car. Very bold statement, I know, and don't PM me with your hate mail, but what I mean is simply this: given a proper measurement/DSP system, a computer should be able to handle the ability to evaluate and correct phase issues. Besides, when we adjust EQ, we're adjusting phase anyway.
It's hardly been touched on, but the way the ms-8 does it's thing - the binaural mics and spacial averaging - is the way we all need to be taking measurements in the car (and home). I'm just now getting on this train of thought; Geddes wrote a paper on it many years ago titled "Local Power Sound Method" and a few of the vets here have been preaching it (or did when they were still here). This is, IMO, where the ms-8's enormous capabilities is rooted.
And, finally, a note to anyone wanting me to do a head to head comparison with the bitone:
me cause I'm lazy said:
Initially I was going to get the ms-8's curve to reflect my final, manually tuned, curve. Then I thought about it a bit and realized "whats the point". Right?
For one to TRULY give an apples comparison you'd have to mimic, to a 't', the DSP effects. When you're talking about phase, t/a, etc there's so many ways to get the same overall curve. A simple example is to take your setup, change the crossover slopes, and then EQ to get the same response. It will not sound the same: period. There's just about no way for me to do the exact same thing since I don't have access to the t/a or phase... and that's just the minimum things I'd need.
I mentioned that I might throw the ms-8's outputs on my RTA and measure the FR of the preouts, but I'd only do so just for my own curiosity to see what the EQ curves look like.
Although I don't have the knowledge most do of how DSP's work, I do have a basic understand of the relationship of phase to t/a, crossover slopes, and EQ bands. I know enough to know that I can't replicate my bitone settings. So, there's no point in bothering. Therefore, there's NO way I can say that the ms-8 is better than the bitone. I can only give subjective opinions on it's ability to auto tune a system vs. my own ability to tune.
I just don't see how I could do it. I don't have the tools to extract that much data. Plus, I don't know just how much DSP is involved.
As I said earlier, my door is open to anyone just about all the time. I'd be more than willing to let anyone demo my car or possibly arrange for you to demo the ms-8 in your own car (but you'll have to come to my house).
Thanks to all who have read this far.
- Erin