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#1 (permalink) |
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DIYMA Enthusiast
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Hey guy's I am trying to finish up my install and am debating on proper placement of my midrange and midbass setup....
I have my tweeters in the sail panel and those will be on axis with me NOT off axis like alot of people seem to like to do as I dont see how you can get proper imaging with tweet's aimed at each other and away from the listener. My question is about placement of my midrange and mid bass speakers, I have heard that they should be in a vertical line from each other with the midrange aimed at the listener and midbass can be off axis since you shouldnt be able to localize there frequency...Am I wrong in thinking this?? I was building kick panels but got to thinking that even with them aiming up as much as possible towards me that the driver sice would STILL be getting blocked by my legs. I DONT want the mid range and midbass to share the same airspace obviously since I would assume that with higher output on the midbass my midrange would almost become passive radiators, Is this correct thinking??? I plan to put the midbass in sealed enclosures inside the door and have the midrange mounted to pods in the door panel but a bit higher up than what the stock location would have been Can anyone help me out on this as I dont want to use fancy processing unit's as I feel you should be able to get away without using them Just looking for tips and pointers as to best/proper mounting location and aiming of my midranges |
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#2 (permalink) |
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Don't assume your tweeters will work better on axis than off. That's the problem most people had with quart tweeters. Off axis they're brilliant, on axis they were WAY bright.
Same thing with the mids. Some work better on axis some work better off axis. You're going to have to play with them. Midbass placement is less of a problem. Mine fired into my ass cheeks (it was a MkV GTI) and sounds like they were on the dash after they were T/Ad and EQd. With the midbasses I'd be more concerned about proper mounting and a good seal than their placement/orientation. |
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Ramstein Air Base, Germany USAF AMMO - I know what REAL boom is. I.Y.A.A.Y.A.S.! |
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#3 (permalink) | |
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DIYMA Enthusiast
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Quote:
It just seems to mee that speakers should be on axis "atleast thats what I gather from the VERY limited knowledge of physics that I have" However I will play with there aiming and find the BESt spot possible As far as the tweeters being harsh I dont seem to think that way at all with the Quart Q tweeters, Plus I can ALWAYS attentuate them if they need to be up to I think -6b I didnt think that the midbass aiming was NEARLY as important as the aiming of the midrange and tweets. AmI correct though in assuming that while kick panels MAY be better than stock mounting location it is still not IDEAL since NO MATTER WHERE you aim them or how far up you aim them your leg will still block the soundwaves coming from them, I mean dont get me wrong the kickpanels are a night and day difference from the stock location HOWEVER I KNOW they can be improved upon..... aAs of now I am running the Quart QSD 216's passive but I don plan to run them active in the not so distant future with seperate amp's for the tweeters,midrange,mid bas AND subs...So between 4 to 5 amp's in total depending on which sub setup I decide to go with I also have some questions about subwoofer aiming/placement but I sill start another thread for that as I want to have the subs almost fire through the openings in the back deck where the stock 6x9's used to be |
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#4 (permalink) |
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I'm in the exact same quandry as you. While kick panel seems like a better way to go compared to factory locations; I don't think it's the end all placement. Some vehicles might lend better to kicks than others. In my truck, kickpanel mounting seems less than optimal based on how high I sit and the angle of the lower dash.
I have been less than impressed with the kick installs I have seen based on the fact that you have to sit a certain way to keep from blocking the speaker, and you lose a crap load of already precious foot space when installing them. Back in the days before TA and major processing power, I think it was more critical due to PLD's; but with todays high powered eq's, I think there are more options with equal, if not better, results IMO. While I also agree that you need to try different mounting angles as far as best sound is concerned; I have had much better luck with my tweets on axis as opposed to off. I think the more you can limit reflections, the better off your imaging is. Each vehicle is different however. |
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#5 (permalink) | |
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DIYMA Enthusiast
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I currently have kickpanels made and installed and I have to say I am NOT impressed, However I think I was expecting MORE than I should have....It a manual car and that may be part of the issue as I couldnt get the aiming I wanted but I still think that even if I could it wouldnt give me what I want.... This is the reason I think that the midrnage mounted to the doorcard "semi IB" would be a better solution with the midbass mounted in sealed enclosures on the door car as well so as that two sets of mids playing two different frequencies dont screw with each other. I can place the midbass MUCH further back in the door since it should not be able to be localized.... I guess I will just have to play with the drivers and see which position AND aiming gives me the best results possible I can always attentuate the tweeters if after moving them on axis I feel that they are to harsh, I believe my crossover allows for up to -6db of attentuation |
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#6 (permalink) |
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Try pointing the tweeters in another direction off-axis. I've had mine in 3 different positions (off-pointing forward, then on-axis, now off-pointing up) and I like the third set-up, but hated the first. The on-axis was impossible to sustain listening for more than about an hour.
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Alpine 9887 -> PPI DCX-730
Blaupunkt VA4100 -> MB Quart NX25's & ID CX64's Blaupunkt VA2200x2 -> Phoenix Gold RSD12x2 |
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#7 (permalink) |
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Don't worry about the midbass and your legs. Midbass is a LOT less directional so your legs won't really be an issue. Like I said, mine fired into my ass cheek and were fine. You said you're using the 216s but what midrange are you using? I'm guessing you'll use the mid in that set as a midbass, correct? if you have a small 4" like the QSD210 then I'd put it on the dash on axis.
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Ramstein Air Base, Germany USAF AMMO - I know what REAL boom is. I.Y.A.A.Y.A.S.! |
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#8 (permalink) |
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i've used stock locations in my trailblazer. i've used kicks and was not impressed, now i have them (midrange and tweet) in the a-pillars midbass in the door with ta on all three setups, and so far I like the pillars best even with off axis almost 80* driver pillar and aprox 30* passenger pillar. when in the stock location i added dome tweets in the dash and wow, awsome. i need to still eq it but i think the pillars will prove to be the best. oh midrange 6 1/2, midbass 6 1/2, sub t-line 8". but reguardless.... ta is a must!!!
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#9 (permalink) | |
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Quote:
Pic's.
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#10 (permalink) | |
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DIYMA Enthusiast
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Quote:
I am not worried about the placement of the midbass as I know that they are not directional like mid range is that is why I planned to have them placed towards the back of the door in a sealed enclosure and plan to have the midrange towards the front of the door but placed a bit higher up than the factory location.... Both drivers will be mounted on the actual door card not on the door sheetmetal so that I am able to properly aim the midrange driver to the position that is best suited for on axis listening I really didnt want to ditch the quart mid range and switch to something like a 4 inch driver but I guess if I REALLY have to then I will, I was just hoping to use what I already have since the QSD set to me at least is an AMAZING set of components BTW so there is not any confusion when I say the back of the door I am talking about the area closest to the latch and the front of the door being closest to the hinge "I just wanted to make it clear since some people can call it different things Also if I need to I can use the midbass inthe back doors but I REALLY dont see that as being an ideal location |
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#11 (permalink) | |
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DIYMA Enthusiast
Join Date: Oct 2009
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FWIW guys I know ALOT of you guys HATE peter euro but if you sit back for a minute and actually put some thought into what he is saying instead of just hating on him he does seem to have a firm grasp on physics and acoustics, Granted he may come off as an asshole to ALOT of people but if you think for a minute about what he is actually saing alot of it does make sense |
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#12 (permalink) | |
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![]() ![]() Even when he sounds like he knows what he is talking about, he doesnt really know car acoustics . As for criticizing someone elses work, he simple is not the one to throw the first stone, his work is shit, thats why you never see anything of it online.
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CD400
ZAPCO DC 350(2) DC360 (1) IB12 L6's Seas Neo |
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#13 (permalink) |
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I want to say it was in a Patrick Bateman thread...it was discussed about off-axis tweeters. The conclusion was that (and I'm paraphrasing heavily here
) when you have a speaker on-axis, your first reaction is to turn down the high frequencies.With MBQ tweeters on-axis, my Pioneer HU's EQ doesn't have enough pull to reign in the tweeters nor does the stock passive's -6dB attenuation max...IMO. Also, tweeters have a wider dispersion of the sound so they don't need to be on-axis like a midrange. With my MBQs mounted coaxially in the doors, it sounds like the tweeters are in the sail panels. If I'd actually put them in the sail panels, I'd bet the stage would be squarely at eye level, all the time. If they're firing (basically) at my legs and can make it sound like it's at chest/eye level while being mostly off-axis... |
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98 Accord Sedan Don't let the magic smoke out! ![]() |
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#14 (permalink) | |
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The QSD is a very, very good set. I'm still thinking about using them. Only thing holding me back is they don't have an 8" midbass and I'm silly but I like to match. I think your setup will be fine, especially if you aim the mid but if you haven't bought the 3.6s I'd highly suggest something like the 3.8 or the SLS 8. |
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Ramstein Air Base, Germany USAF AMMO - I know what REAL boom is. I.Y.A.A.Y.A.S.! |
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#15 (permalink) | |
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Ramstein Air Base, Germany USAF AMMO - I know what REAL boom is. I.Y.A.A.Y.A.S.! |
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#16 (permalink) | |
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Each tweeter is different, but with the ones I have now (SBAcoustics dimple-dome) their frequency response is pretty flat from 600Hz-17Khz at which point it starts to rise. On-axis, the response is not flat up at the top-end, but i can flatten that response by listening off-axis. Furthermore, you can point your tweeters however you like, and the fix up any dip or rise in frequency response with EQ. Why does this even matter? well, if you locked yer head in a vice when listening to music, you wouldn't much care, but if you plan on letting your head wander about while sitting in your seat, or *gasp* want to provide a descent listening experience for your passenger, then this whole wide-dispersion and off-axis response thing becomes pretty important. On a side-note, the reason I like the SBAcoustics so much is that in addition to being so smooth and flat, the 2nd order harmonics at 3k are a full 50db below the fundamental, and it just goes down from there as frequency rises. |
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p880prs | front: PG MS2125 for 720prs midbase/Zed Gladius for SB29RDCN tweet | sub: zed-made boss, ID12 sealed | install: total ghetto
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#17 (permalink) |
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Tweeters off-axis makes sense in environments where :
- the listener is not centrally located - lots of near-field reflections Waveguides can make even more sense. The reasons have been spelled out, time and again, on this forum. Stop thinking like home audio ... we're not trying to "duplicate" the home audio environment. We've got a unique set of constraints in car audio, no more or less "valid" than the home ... just different. What we're trying to do is optimize driver placement & signal processing for this environment ... we're not trying to shoehorn or force-fit the living room into our cars. EDIT : what quality_sound said Maybe the tweets are designed with a rising on-axis response, with the intention of listening off-axis? Also, do you care about both front seat listeners? In the IID range of frequencies, you can't electronically attenuate the near-side speakers for both front seat listeners ... but you can approximate near-side attenuation for both front seat listeners mechanically Are you worried about reflections from your side windows? You should be ... this will impact your tweet aiming as well ...
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Last edited by lycan; 02-09-2010 at 01:12 PM.. |
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#18 (permalink) | |
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#19 (permalink) |
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All the more reason why you can actually get away with pointing a tweeter off axis, and setting it’s crossover point much higher than you typically would. Take advantage of the reflections down low, while playing to the tweeter’s roll off up top. Ie: Tweeter FR shows a drop at 10k 30* off axis. Use gain and crossovers to work with your car and with your drivers. Try raising your gain up a bit. Note how crazy, stupid ear aching it is at your 2khz crossover point. But, you also lose some things above 10khz, just as you suspected. Rather than boost the top end via EQ, increase your crossover point to about 12.5khz (one step after your tweeter has fallen). Set your slope to 6dB or 12dB, and see now if your top end has leveled out to match up with the rest of your tweeter’s output. You may find you’ll have to use less EQ cuts or raises than you otherwise would have had you simply left done the norm. Not gospel… just some ‘try it’ advice. ![]() It just might work, or not... Edit: Wasn't this thread about midrange?
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Buy, try, sell. x3.
Ignorance is housed in complacency. |
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#20 (permalink) | |
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Hey Lycan, I've got my SBAcoustics cross firing right now and I gotta say I like it a LOT, however, I know that the off-axis response on my near tweeter is not as flat as the on-axis response of the far tweeter, and I've been thinking about wave-guides. Is is practical at all to consider adapting a wave-guide for these tweeters? I've got them in the windshield corners right now with a make-shift acoustic-foam baffle to limit early reflections off the glass and dash. |
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p880prs | front: PG MS2125 for 720prs midbase/Zed Gladius for SB29RDCN tweet | sub: zed-made boss, ID12 sealed | install: total ghetto
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#21 (permalink) | |
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Patrick is the dude to ask ... |
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#22 (permalink) | |
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![]() But nice post anyway. You know, the concept of "on axis" does not even exist for BOTH front seat passengers listening to TWO tweeters If you find yourself "aiming" tweets so as to MINIMIZE REFLECTIONS from dash, side-window and windshield ... which may not be a bad place to start, by the way ... you may find the tweets sound best on-axis with your dome light ![]() Yeah, I know ... the "home audio" crowd would be aghast
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#23 (permalink) | |
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DIYMA Enthusiast
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I already purchased the ED3.6's so going with an 8 now really isnt an option as I dont want to buy anything else I would prefer to work with what I currently have. while I do realize that 4 or possibly 5 inch midrange MAY be better in some respects I think the QSD's will function fine for me....HOWEVER if I dont feel they are ginving me what I need/want I will change them but for now would like to stick with what I currently own Also for what it's worth I COULD GIVE TWO SHITS ABOUT PASSENGER ENJOYMENT .....seriously its MY car so as far as I am concerned it could sound like the passenger is listening from tin can speakers, I am NOT trying to get a 2 seat soundstage, I sit in the driver seat and THAT is wehre I want the best sound.I know alot of people like to try and set up there car for 2 set listening but I think that opens up a whole NEW can of worms, One in which I am NOT about to explore ![]() My main concern and the reason I started this thread WAS about midrange as it is MUCH easier to adjust tweeter aiming than it is to adjust midrange aiming if for nothing other than the size of a tweeter compared to the size of a midrange "I.E. it takes quite a bit more work to re aim a mid whose enclosure and brackets have already been made than it does to re aim a small tweeter" Now keep in mind I may be going about this all wrong and that is the reason I wanted peoples opinions other than mine who have tried mids in different locations |
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Last edited by tinctorus; 02-09-2010 at 03:00 PM.. |
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#24 (permalink) |
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They won't be harsh, they're going to be bright. WAY bright. If you like them that way, cool beans. Just make sure you leave them that way for a couple of weeks. A lot of times bright speakers sound great at first because you're hearing a lot of exaggerated detail but then it just gets to be too much. Older Pioneer 4-way speakers are a prime example.
Seriously though, give them some time and make sure you really like them up there. Mids in the kicks can work fine and how much you lose due to leg blockage will depend on how directional the speakers are and what the low pass point it. I'd say throw them in the kicks with some towels as a temp thing and see if you like them in the kicks or not. |
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Ramstein Air Base, Germany USAF AMMO - I know what REAL boom is. I.Y.A.A.Y.A.S.! |
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#25 (permalink) |
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Just a few more random thoughts about the pure folly of "on axis tweeters" in a car environment. Intended to be food-for-thought
![]() 1. How do you aim two tweeters for two front seat passengers, so that both tweets are on-axis for both front seat listeners? 2. Think about the "phantom image" model for reflections. Especially valid near hard reflective surfaces, like glass ... even for treble wavelengths. The "image" model is simply this : there is a "phantom" tweeter, wherever you see the reflection. You can imagine that phantom driver playing, with the reflective glass removed So, lets count how many tweeters are playing (real plus phantom) in the very reflective nearfield, just counting first reflections : Three reflections from left tweeter (left window, right window, and windshield), plus the real left tweeter, plus three reflections from the right tweeter, plus the real right tweeter, for a grand total of EIGHT. Yes ... in a nearfield reflective environment, you don't have TWO tweeters playing, you have EIGHT. Like it or not, in a nearfield reflective environment ... you have an ARRAY of at least EIGHT tweeters playing.Now ... exactly which ones of these EIGHT are you going to "aim" to be on-axis? And has your aiming taken into account the comb filtering resulting from the delayed arrival from the phantom drivers? Yes, virginia, that's what the nearfield reflective environment gives us ... like it or not. 3. At treble frequencies, wavelengths much shorter than the distance between our ears, it's all about IID (inter-aural intensity difference) for localization. Even ignoring reflections for a moment, if we care about both front seat listeners, how can we attenuate near-side intensity for EACH front seat listener? Sure can't do that electronically But we can approximate near-side attenuation for each front listener mechanically, by exploiting off-axis attenuation. Of course, this approximation is improved with waveguides ![]() These are the main reasons why "aiming" tweets in car may very well lead to surprising (or at least, non-obvious) results. It may be that aiming somewhat centrally to minimize reflective intensity ... in other words, aiming so that the PHANTOMS are as OFF-AXIS as possible ... may ALSO result in acceptable attenuation for each near-side listener. Hence, my comment about dome-light aiming ![]() When you consider reflections, you may ponder this question : Do you want your main tweeters MORE on-axis, or would you rather have the phantoms MORE off-axis? ![]() Bottom line : "on-axis" tweeters might make sense in a larger, less reflective environment for more centrally-seated listeners. But don't try to force-fit home-audio thinking where it just doesn't apply. |
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