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New Helix DSP Software Released Today

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64K views 391 replies 54 participants last post by  opekone  
#1 ·
Helix has updated their DSP software, and released it today...

Can be downloaded here: DSP PC-Tool Version 4

Version 4.70
  • New start launcher has been added - the start window now offers a device info area as well as a new menu bar which gives access to several frequently used functions. The new buttons are offering the following functions (from top to bottom): Refresh connection, Options menu (manual ACO Update, manual driver installation, etc.), Connection switch (WIFI/USB), Change-Log history, keyboard shortcuts map, sound files for the integrated measurement systems, website link
  • Main - Advanced Import function has been implemented to import AFPX and REW files. The Advanced Import manager offers various adjustments as well as visualizes the importing data. By selecting the file type you can choose to import REW (.txt) or DSP PC-Tool tuning files (.afpx)
  • Main - The Output level graph has been reworked and now shows the outgoing level as RMS and Peak Hold value. The light blue bar will show the RMS value whereas the dark blue bar will show the Peak Hold value. The new Peak Hold value will show the highest output level within a 2 second time window. This will make it much easier to adjust the gain structure properly as it allows to get easier to the maximum unclipped output level. In addition the digit value beside the bar can be toggled between RMS and Peak Hold value by clicking on the small symbols on the right in the digit display.
  • Main - The ACO configuration will now also be stored directly when teh SAVE button has been used. After daving the unit can be directly disconnected from power and an additional power cycleis not needed anymore.
  • ISA - The Input Signal Analyzer got a new measurement option to measure low frequency high pass filters from factory sound systems between 25 Hz and 200 Hz. The new measurement range can be selected via the drop down menu in the ISA window and is called "Low - 25 Hz to 200 Hz".
  • ATM - The official public beta version of "Automatic Time Measurement" has been added. This is a completely new algorythm and function which allows the user to fully automatically set up the time alignment in a car for all speaker channels indepentend if these are active or passive speaker systems. The new function can be accessed by pressing "SHIFT" + "t" in any window. To use the function name ALL inputs and outputs correctly, make sure that a fullrange stereo signal is routed to analog input channels "A & B" or in case of VCP to Virtual Channels "Front Left" and "Front Right" and play the ATM test track from the SoundFiles folder. The microphone needs to be mounted in a fixed position at the the centered head position e.g. mounting the mic to the headrest facing upwords or in a 45° angle to the inner roof. At last make sure that the measurement volume is in the green/good marked area of the microphone level bar and click on the "Start" button. If necessary it is possible to select/unselect specific channels in the table of the new window.
  • BRAX DSP DiSAC volume control - New Gain-Offset options have been added for the BRAX DSPs DiSAC protocol have been added to allow a higher analog Gain inside the MX4 PRO by adding a gain offset to the analog signal domain. The option can be found in the BRAX DSP module configuration menu under the "DiSAC Volume Control" drop down menu. Beside the standard option with 0 dB new options with + 3dB, + 6dB and +9dB are available now. The adjustment can be individually configured for each output module.
  • ACO Updater - A new advanced ACO update program has been implemented which improves the update stability on slower computers
  • File manager - The default load and save directory has been changed to the 'User'/Documents directoy
  • Bugfixes - Loading an afpx file into a device which has VCP enabled will now display all Input and Output names on all menus correctly.
  • HELIX V EIGHT DSP MK2 - a bug has been fixed which caused all amplified channels to be reversed in polarity. After updating the software it might be necessary to check the polarity settings for the line outputs as these might need to be readjusted to match the correct polarity of the amplifier channels.
  • HELIX V EIGHT DSP MK2 - Line output channels I & J we reversed and are now correctly assigned
  • HELIX V TWELVE DSP - Class GD amplifier power supply control algorithm has been optimized
  • HELIX V TWELVE DSP - fixed a bug in the "ACO Features - ADEP.3 configuration"
  • HELIX DSP.3 - fixed a bug which could cause the InputEQ on input channel F to not work properly
  • MATCH PP 62DSP - Subwoofer output channel names have been renamed to properly work with the new ATM function
  • General - The internal memory slot 2 which gets deactivated in non-ACO products if a DIRECTOR is connected, got now properly renamed to visualize the reason for the deactivation.
  • General - ADEP.3 configuration set by default to "2 seconds"
 
#2 ·
Tried the auto signal delay feature tonight in my car, and also did an auto eq along with it. Ill give it a listen over the next few days

Sent from my SM-G975U using Tapatalk
 
#4 ·
I just want to know how to save a tune with a name and not have it revert to M-3546759. That and what exactly is a global save?

Where can I find info on the WIFI app settings? Need to know what the different volume controls do...

Would be nice to have a feature to help alert you when channels are linked other than the little squares. I have mistakenly had the wrong channel linked which is brutal when changing crossovers, ugh. The little squares would be much easier to identify if they were directly above the channel...not all the way to the right. Having the entire area above the channel change color would be way better.
 
#8 ·
I just want to know how to save a tune with a name and not have it revert to M-3546759. That and what exactly is a global save?

Where can I find info on the WIFI app settings? Need to know what the different volume controls do...

Would be nice to have a feature to help alert you when channels are linked other than the little squares. I have mistakenly had the wrong channel linked which is brutal when changing crossovers, ugh. The little squares would be much easier to identify if they were directly above the channel...not all the way to the right. Having the entire area above the channel change color would be way better.
What would you like to know about the WiFi control? I have one fitted and use the app also
 
#10 ·
The sub volume basically changes the lower limit of the subwoofer slider...

And from memory I think the other adjustments with volumes are basically start up for each of the different sources, like the directors startup volume setting, I can check next time I’m in the car though, I think I set everything to none so it didn’t adjust anything on start up except for master which I set to -30db from memory

so I adjust all the three sources to full and just use the master volume to adjust volume overall of whichever source I use
 
#14 ·
The only thing I can think of that helix doesn't beat is the dirac auto tune in the minidsp. But, it has the advantage in every other regard. Outside of that, I dont think anyone stacks up. I think i like Mosconi's controllers a hair more though, but they aren't as flexible.

Sent from my SM-G975U using Tapatalk
 
#15 ·
I tried out the auto time alignment today just for giggles and it was ridiculously off. Probably user error, but I tried it a few times.

I wish there were better instructions because I don't really understand what to really do. I set my midrange as the measured distance anchor point on the left hand side.

I used the Audiofrog mic, but maybe the Umik would be better suited.

Perhaps the Helix doesn't like the eq settings on the channels and then time aligning after.

Nevertheless, I am sure someone will chime in who knows how to use it and provide me with a dunce hat.
 
#18 ·
I tried autotune last night and it worked perfect. I chose he delay option not the distance so no numbers had to be input. Hit shift+T then a screen pops up. There is an option to use left midbass or right midbass for reference. I left it at the left midbass option.
Then make sure there is a red X next to every speaker you plan on auto aligning. There won’t be an option to check or Uncheck the reference channel.
Play the time align track, turn up the volume with all speakers playing the popping sounds and make sure the indicator for the volume is in the green.
Now hit start.
It will tell you what it is testing.
You will hear slight changes in the pop sounds when it is testing different speakers. After a few minutes all the new delays will populate and be added.

I must add I am having issues with the software. First time trying the auto time I thought it did a horrible job. Only to realize that it had placed a check in one of the speakers HP filters bypassing it. Reenabled it and it was perfect image. More focused than I’ve ever heard it.

Second issue with the software update is a major issue. After updating and auto time alignment I restart my car and there is insane amount of engine noise, whine and even turning on the AC created more noise. I went to bed wanting to rip out all the car audio and walk away from the hobby.
This morning first thing I started the car and it was still bad. So I reverted back to the previous software and it was dead quiet.
Loaded the tune which is yet another issue. Loading a tune would not place the name in the 1-10 slot list. It would show loaded with no name. So have to rename the tune in its slot and save it as a new file. Then all is good.
Played it while driving to gas station Start car back up and the insane engine noise is back. Went they the entire process of loading the old software again and saving and renaming. And noise is gone. For some reason The new software is making crazy engine noise happen. Doesn’t even seem possible that it could make that happen but it does.
what Is the ACO driver? Because it updates this also after the software. Maybe it’s the aco driver that’s bad. I revert both back to the previous to rid the engine noise
 
#20 ·
Yeah, I've learned to wait a few weeks before using new Helix software updates (in fact I never even updated to the last significant update because I had issues when I initially tried and ended up reverting back since the new version was mainly for the Ultra). They usually end up releasing an update to address some significant issues pretty quickly...
 
#27 · (Edited)
I tried it today and while I'm unsure if it's perfect, it definitely chose better timings than I had. A/B with my mode switch between my TA and its TA, its TA was better.

I had a hard time even getting it to pull up the automated TA window. Finally came up when I clicked on the RTA tab. I did the measurement and listened for a bit, liking what I heard except my passenger midbass seemed too quiet, so I looked and sure enough it said it was about 20" difference from my mid and tweeter which are next to it in the kick panel. I tried to pull the auto TA panel again to remeasure that channel and I couldn't get it to pull up.

CTRL+T right?
 
#29 ·
I tried it today and while I'm unsure if it's perfect, it definitely chose better timings than I had. A/B with my mode switch between my TA and its TA, its TA was better.

I had a hard time even getting it to pull up the automated TA window. Finally came up when I clicked on the RTA tab. I did the measurement and listened for a bit, liking what I heard except my passenger midbass seemed too quiet, so I looked and sure enough it said it was about 20" difference from my mid and tweeter which are next to it in the kick panel. I tried to pull the auto TA panel again to remeasure that channel and I couldn't get it to pull up.

CTRL+T right?
shift + t
 
#30 ·
Tried it again using the delay only, click track in the middle of the "good" area etc. Oddly it puts my midrange out of phase in my a pillar. If I flip the polarity (electrically) it seems to be ok and stages somewhat close to what I had using the tape measure, rta phase checks, and tone bursts. Just found it odd that it did a of phase change with the delay.
Setup is a Brax Ml1 and focal 3w2 in the pillars, morel admw10 in the door, and 2 Audiomobile evos in the trunk to a psix mk2.

Unless you are grossly mis-measuring with a tape measure, I can't see it being that much better tbh. Nevertheless, I would still like to hear what others are experiencing because it sounds like it works just fine?
 
#31 ·
Tried it again using the delay only, click track in the middle of the "good" area etc. Oddly it puts my midrange out of phase in my a pillar. If I flip the polarity (electrically) it seems to be ok and stages somewhat close to what I had using the tape measure, rta phase checks, and tone bursts. Just found it odd that it did a of phase change with the delay.
Setup is a Brax Ml1 and focal 3w2 in the pillars, morel admw10 in the door, and 2 Audiomobile evos in the trunk to a psix mk2.

Unless you are grossly mis-measuring with a tape measure, I can't see it being that much better tbh. Nevertheless, I would still like to hear what others are experiencing because it sounds like it works just fine?
even a small .03ms in either direction can change the way it sounds. Just Measuring and inputting those numbers isn’t going to get you exact.
When I did A/B between auto and my time alignment it was more focused.
The difference between Auto TA and mine was
left tweet +.02 right +.07
Left mid +.12 right +.04
Left midbass +.11
 
#35 ·
If you read the Audiofrog Tuning Guide, it explains (and shows) why you should use a tape measure to set time delay distances - set it and forget it. Adjusting the delays a little at a time will just cause you to end up with some frequencies that are centered, but all others won't be - and/or cancellation issues. Again, the guide explains and shows what happens with actual sound measurements to help illustrate. You use levels to adjust center image, not time alignment.

Sound travels at the speed of sound - which is why measurements are always correct for setting time alignment.

Read the section labeled "Setting Delays". It's not wrong (just as the tape measure isn't wrong). :)

Here is a link to the tuning guide in case you haven't already seen it:

https://testgear.audiofrog.com/wp-c...3/A-Straightforward-Stereo-Tuning-Process-and-Some-Notes-About-Why-it-Works.pdf
 
#36 ·
If you read the Audiofrog Tuning Guide, it explains (and shows) why you should use a tape measure to set time delay distances - set it and forget it. Adjusting the delays a little at a time will just cause you to end up with some frequencies that are centered, but all others won't be - and/or cancellation issues. Again, the guide explains and shows what happens with actual sound measurements to help illustrate. You use levels to adjust center image, not time alignment.

Sound travels at the speed of sound - which is why measurements are always correct for setting time alignment.

Read the section labeled "Setting Delays". It's not wrong (just as the tape measure isn't wrong). :)

Here is a link to the tuning guide in case you haven't already seen it:

https://testgear.audiofrog.com/wp-c...3/A-Straightforward-Stereo-Tuning-Process-and-Some-Notes-About-Why-it-Works.pdf
The idea is you are not very accurate using a tape measure. (y)
 
#39 ·
Again, if you read that guide, you will see you don't even need to be that accurate to begin with! :)

Besides, are you really keeping your head perfectly still as you drive around? Of course you aren't. You don't need the level of accuracy that you think you do for time alignment. Again, it's all spelled out very well in that guide, from a true expert in the field. Don't take my word for it - I'm not an expect - I just know when to listen to the experts!

He even shows how measurement errors won't make any difference with a midbass speaker, for example - he even purposely uses a 6" measurement error on purpose to illustrate it. Again, he even shows the measurements - and you can easily recreate the test in your own car if you don't believe the expert.

Obviously, feel free to do whatever you feel works best for you, but at least read what an expert says on the subject...
 
#41 ·
Again, if you read that guide, you will see you don't even need to be that accurate to begin with! :)

Besides, are you really keeping your head perfectly still as you drive around? Of course you aren't. You don't need the level of accuracy that you think you do for time alignment. Again, it's all spelled out very well in that guide, from a true expert in the field. Don't take my word for it - I'm not an expect - I just know when to listen to the experts!

He even shows how measurement errors won't make any difference with a midbass speaker, for example - he even purposely uses a 6" measurement error on purpose to illustrate it. Again, he even shows the measurements - and you can easily recreate the test in your own car if you don't believe the expert.

Obviously, feel free to do whatever you feel works best for you, but at least read what an expert says on the subject...
But we're not time aligning a bandpassed bass signal. We're talking about the entire signal. I think you're taking the lesson a bit out of context.

I don't know about you but once I got a DSP it changed my driving posture. I tried to tune it for my "slump towards the center of the car head nearly centered" posture that I developed to get the most sound of my old installs... But that just didn't work. I absolutely peg my head to the back of the seat when I really want to hear a track. Sometimes I'll get a nasty reflection and I'll reposition my head just to be sure it's not audible when my head is against the headrest. So yeah my head does move around a lot. But it's not swaying 6 inches side to side when I'm driving down the highway... go ahead and try it at the computer, you'll feel like a bobblehead. We've got these things called necks full of muscle that keep our heads from bobbling around.

If I drop my head 3 inches i fall directly inline with the reflection of the wideband off the windshield and the response above 10k increases dramatically. It's so bad that if I'm driving and experiencing listening fatigue it's 7/10 times that I'm slouched in the seat and sitting right in that high frequency reflection. I can sit tall in my seat and return to quality listening. I'm not willing to just 'ignore' those 3 inches because a 200hz signal isn't impacted by that.
 
#42 ·
Like I said - do whatever works for you. I'm just relaying the information from someone that knows way more about this stuff that any of us ever will. Use the information how you see fit.

Me, I'm constantly moving my head around while driving - turning it left and right, looking up and down, etc. A few mm of time alignment difference won't mean squat to me.

The midbass was just an example (since that is the example that Andy uses). Like he says in summary:

Code:
So what does all of this mean? It means that you should use the tape measure carefully. Measure from the grilles or the dust caps of each speaker to the microphone. Get as close as you can. Input the right numbers and your results will be great. There are other ways to measure, but none are necessarily more accurate and none are as quick and simple. Once you’ve set your delays to correctly compensate for distance, leave them alone. They aren’t wrong.
 
#43 ·
Like I said - do whatever works for you. I'm just relaying the information from someone that knows way more about this stuff that any of us ever will. Use the information how you see fit.

Me, I'm constantly moving my head around while driving - turning it left and right, looking up and down, etc. A few mm of time alignment difference won't mean squat to me.

The midbass was just an example (since that is the example that Andy uses). Like he says in summary:

Code:
So what does all of this mean? It means that you should use the tape measure carefully. Measure from the grilles or the dust caps of each speaker to the microphone. Get as close as you can. Input the right numbers and your results will be great. There are other ways to measure, but none are necessarily more accurate and none are as quick and simple. Once you’ve set your delays to correctly compensate for distance, leave them alone. They aren’t wrong.
Its either one of two things:
1. Your l/r response is wrong which leads you to mess with time alignment. It lines up certain frequencies better because they are not matched in response.
2. You mismeasured.

Perhaps you should rethink your eq l/r response. The above is most definitely correct from Andy.
 
#45 · (Edited)
All I know is I trust my ears a lot (generally, we all have off days)
I found small differences in the distance are very good noticeable (in home audio!, I dont have a dsp in my car yet but want to buy the Dsp.3)

Everything matters in your install and setup wether its in a car or at home... you are trying to perfect the reproduction of the sound. Sooo many things matter in here...

Also in a setup thats very good balanced its even better noticeable...

And its person-dependend... which is okay cuz we all have diferent ears, and training.

When I showed a very good friend of mine who was building loudspeakers for more than 40 years that a few millimeters in distance and later also a 0,2 ohm raise in a resistor is hearable (or isnt that English...) he just couldnt hear it!... and he has heard a lot AND has well trained ears... and a good set!

And another friend of mine, he could hear the differences! Both times...

I assume in a car it matters too, even a small distance.

Btw not everything is displayed in measurements... you can hear small differences soundwise where in the measurements its barely shown...

Anyway, auto allignment seems like a good feature (when ur mic is set correctly of course)....
👍
 
#48 ·
Well it is interesting indeed... because as I recall when only having bass a bit further or closer in my 3 way with separate enclosures at home, it was hearable.... absolutely.

But maybe in the car where you sit almost on top and in between your drivers, maybe with the bass it isnt that much noticeable. But mids and highs yes...
 
#54 ·
Auto feature is nice but why people give time aligment so much unnecessary attention?!
Tape measure, few test tones and its done.
Are you deaf, so you need impulse response and some auto tuning?
that kind of measurements probably never gets you on spot only near...

so much arguing for easiest thing in tuning that doesn’t require special ears and measurement tools....
 
#57 ·
Auto feature is nice but why people give time aligment so much unnecessary attention?!
Tape measure, few test tones and its done.
Are you deaf, so you need impulse response and some auto tuning?
that kind of measurements probably never gets you on spot only near...

so much arguing for easiest thing in tuning that doesn’t require special ears and measurement tools....
Phase measurements get subs/midbass/mids perfect and the tape measure would often be out... tweeters are harder due to the short wavelength

for example sometimes a bigger delay and a phase inversion will make a better job of aligning phase... you’d never get to the settings in my car with a tape alone, crossover interaction, phase issues and driver phase characteristics all play a part in getting time alignment very accurate

I will demonstrate this very soon in my own car in great detail over on car audio junkies...

to get phase coherence does not nesc follow the tape measure, keep thinking like that and you won’t get any better, and I’m not speaking hypothetically, I am speaking from experience and actual scientific measurements

watch this space... you will have your eyes opened and realise the sweeping statement you just made is just that...