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You guys talking about this reminded me that I need to get some car ramps. My wife's CR-V is too tall for the floor jack to do any good but still too low for me to comfortably change the oil. It was a pain last time I did it.
 
Man, I totally used to be the same way. It was an outlet for me for years and years. More than that; it was an identity to be honest. But the past couple years that passion waned. It took me a month to swap midbass drivers - which doesn't even require more effort than simply cutting new rings – because I just didn’t want to mess with it. I also spent years testing drivers and spending endless hours posting data to my website and I let that go, too, for the same reasons. For me it’s just burn out. I probably spent ½ of my time for years doing something that was audio related and I don’t do this for a living. I still enjoy going to shows and hanging out with my friends. I still enjoy tinkering. But I know me well enough to know that it takes me forever to complete an install and I know why. So I’m taking a backseat this time and handing the majority of the workload off to someone I trust to do it for me and then I’ll spend my time filling in the gaps and tuning.
This is why I have a bunch of different hobbies/projects, even if they are all kinda sort related. When I start slowing on one I just bounce to a different thing for awhile. The down side is that some things take forever to make any progress, like my Bronco, but it keeps me from burning out on one specific project. I've burned out on projects and and sold them while still disassembled, taking a huge financial hit.

This strategy also allows me to learn and apply that new knowledge to other ongoing projects.
 
Re: the diyma message, recommend a good book?

Just thought I'd re-iterate for our many new members here, the key to a good sounding car.

1. The room/car acoustics will dominate the sound of your system. In order to get the best sound quality possible, focus the majority of your efforts (and budget) on correcting for it either electronically or physically. This includes things like proper driver placement, treatment of enclosures and panels, diffusers or absorptive material, equalization, proper level matching, smooth crossover transitions, time correction, etc.

2. Picking the right drivers for the right application is more important than picking *better* drivers. This also includes taking your skill at the above #1 into account. Many times for a beginner, having the best equipment makes no sense as you can achieve a better sounding car much faster and easier with gear that works best with the acoustics of your car, and requires minimal correction. Haphazardly picking the best gear without consideration for your skill at using it, or with how it will work with the rest of the gear you pick, or with how it will work in your car is a recipe for disaster.

3. Lastly, experiment! I often see people thinking they can "do it right" the first time. That's not how it works in reality. Anyone with a great sounding system will tell you it takes alot of trial and error to get there. Not only to familiarize yourself with the acoustics of your vehicle and different equipment, but to establish a clear reference of what "good sound" should sound like to you.
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Great advice thank you!
You sound like you are qualified to write a good book on car audio! I bought one recently and it SUCKS! (c) 2005 so I wasn't expecting much.
Could you recommend a good book to help with modern car audio system design?
 
Man, I totally used to be the same way. It was an outlet for me for years and years. More than that; it was an identity to be honest. But the past couple years that passion waned. It took me a month to swap midbass drivers - which doesn't even require more effort than simply cutting new rings – because I just didn’t want to mess with it. I also spent years testing drivers and spending endless hours posting data to my website and I let that go, too, for the same reasons. For me it’s just burn out. I probably spent ½ of my time for years doing something that was audio related and I don’t do this for a living. I still enjoy going to shows and hanging out with my friends. I still enjoy tinkering. But I know me well enough to know that it takes me forever to complete an install and I know why. So I’m taking a backseat this time and handing the majority of the workload off to someone I trust to do it for me and then I’ll spend my time filling in the gaps and tuning.


This for me is also why my ride isn’t top tier and completely vyniled out and tricked out with a lowered dash.


After installing 10hrs a day for other ppl , I don’t want to do anything to my car:
The only reason I have any amount of custom work is because I really wanted it done.

If I could just take 60 days off work and still get paid , and still be able to go to the shop and do my car and tell the wife I was “going to work dear” lol
Oh it would be so sick.

I only do enough to keep me happy
 
This is why I have a bunch of different hobbies/projects, even if they are all kinda sort related. When I start slowing on one I just bounce to a different thing for awhile. The down side is that some things take forever to make any progress, like my Bronco, but it keeps me from burning out on one specific project. I've burned out on projects and and sold them while still disassembled, taking a huge financial hit.

This strategy also allows me to learn and apply that new knowledge to other ongoing projects.


My buddy Russ has a vw corrado he’s been building for 15 years.
He just got it runnin. Lol
Still needs to do another 25 years (at his pace) of stuff.
 
Just thought I'd re-iterate for our many new members here, the key to a good sounding car.

1. The room/car acoustics will dominate the sound of your system. In order to get the best sound quality possible, focus the majority of your efforts (and budget) on correcting for it either electronically or physically. This includes things like proper driver placement, treatment of enclosures and panels, diffusers or absorptive material, equalization, proper level matching, smooth crossover transitions, time correction, etc.

2. Picking the right drivers for the right application is more important than picking better drivers. This also includes taking your skill at the above #1 into account. Many times for a beginner, having the best equipment makes no sense as you can achieve a better sounding car much faster and easier with gear that works best with the acoustics of your car, and requires minimal correction. Haphazardly picking the best gear without consideration for your skill at using it, or with how it will work with the rest of the gear you pick, or with how it will work in your car is a recipe for disaster.

3. Lastly, experiment! I often see people thinking they can "do it right" the first time. That's not how it works in reality. Anyone with a great sounding system will tell you it takes alot of trial and error to get there. Not only to familiarize yourself with the acoustics of your vehicle and different equipment, but to establish a clear reference of what "good sound" should sound like to you.
This is spot on.
I can't tell you how many times I thought this is it, it's going to be exactly what I want..
Then to change things a month later.

Great write up.
 
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